清代雍正朝烧制的瓷胎画珐琅彩瓷器。在康熙朝珐琅彩的基础上有了很大发展。雍正四年(年)清宫造办处已自炼珐琅彩料,比原有进口料增加了很多色彩品种。雍正珐琅彩瓷器与康熙朝相比有着明显的区别,摆脱了仿铜胎画珐琅的风格,大多数器皿将彩料施于白釉之上,纹饰绘画非常精细,所绘花鸟、竹石、山水配以精美书法的相应诗句。每于题诗的引首、句后还有抹红或胭脂水印章,其印文往往和图案、题诗内容相配合。如绘秋天花卉常用“金成”、“旭映”章,画竹用“彬然”、“君子”章,画山水则用“山高”、“水长”章等。因此,这种瓷器实是制瓷工艺和诗、书、画、印相结合的一种艺术珍品。主要造型有盘、碗、瓶、壶、杯等
PorcelainbodypaintingenamelsmadeintheYongzhengperiodoftheQingDynasty.IntheKangxiDynastyEnamelcoloronthebasisofagreatdevelopment.Yongzhengfouryearspalacebuildingofficehasbeenrefinedenamelcolormaterial,thantheoriginalimportmaterialsincreasedalot,avarietyofcolors.YongzhengEnamelpaintedporcelainwasobviouslydifferentfromKangxiDynastyinthatitgotridofthestyleofimitationcopperbodypaintingenamel,mostofthevesselsappliedcoloredmaterialsonthewhiteglaze,andthedecorativepaintingswereveryfine,thepaintingsofflowersandbirds,bambooandstone,landscapewithexquisitecalligraphyofthecorrespondingpoems.Eachpoemintheintroduction,afterthesentenceorwiperedorrougewaterseal,thesealisoftenandpatterns,thecontentofthepoem.Suchaspaintingautumnflowers